Free PDF The Lowland (Vintage Contemporaries), by Jhumpa Lahiri
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The Lowland (Vintage Contemporaries), by Jhumpa Lahiri
Free PDF The Lowland (Vintage Contemporaries), by Jhumpa Lahiri
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Review
“Poised, haunting, exquisitely effective storytelling. . . . Lahiri is one of our most beautiful chroniclers of the aching disjunctions of emigration and family.” —San Francisco Chronicle“Exquisite. . . . Lahiri explores here what she has always explored best: the fragile inner workings of her characters. . . . An American master.” —Philadelphia Inquirer“[Lahiri’s] finest work so far. . . . At once unsettling and generous. . . . Shattering and satisfying in equal measure.”—The New York Review of Books“Poignant. . . . There is an important truth here—that life often denies us understanding, and sometimes all there is to hold on to is our ability to endure.” —NPR“Intriguing. . . . Brim[s] with pain and love and all of life’s profound beauty.” —O, The Oprah Magazine“Mesmerizing.” —The Washington Post Book World“In The Lowland, we are all emigrants, not from one country to another but from the present to the future. . . . Tremendous.” —Lev Grossman, Time “A masterful work that shines with brilliant language. . . . [Lahiri] has created a masterpiece.” —Minneapolis Star Tribune“Lahiri is an elegant stylist, effortlessly placing the perfect words in the perfect order time and again so we’re transported seamlessly into another place.” —Vanity Fair“Divided consciousness has been Lahiri’s recurrent theme. . . . This time, Lahiri daringly redraws the map. . . . [Her] prose is blunter, less mellifluous: here worlds, new and old, contain terrors.” —The Atlantic“The lowland [of the title] serves as Lahiri’s telling metaphor for the dark, dank, weedy places that haunt our lives. . . . In its quiet intensity, [The Lowland] reminds us of the triumphant fiction of Alice Munro and William Trevor.” —Newsday“A classic story of family and ideology at odds, love and risk closely twined. . . . An author, at the height of her artistry, spins the globe and comes full circle.” —Vogue“A great American writer.” —Chicago Tribune“Memorable, potent. . . . Lahiri has reached literary high ground with The Lowland.”—USA Today“A master of dramatic turns, but not in the conventional sense. She lets tension build slowly until something snaps. What she twists is you. . . . Lahiri shows that a twist can be even more devastating when you’ve been afraid that it might happen all along. A” —Entertainment Weekly“A must-read. . . . Delivers Lahiri’s trademark lyrical prose woven with a fast-paced narrative and indelible characters.” —Slate“Lahiri returns confidently to the themes that have earned her critical praise, an eager audience and a Pulitzer Prize. . . . [Here] she adds a historical dimension that creates a vital, intriguing backdrop. . . . [The] story is unique, but it’s also universal, a reminder of the past’s pull on us all.” —The Miami Herald“Expansive and intimate. . . . Lahiri’s writing is precise and restrained. . . . Loyalty and betrayal, lies and forgiveness, filial responsibility and abandonment, the choices and sacrifices we make to find our way in the world are beautifully wrought in this novel.” —The Oregonian“Subtle but devastating. . . . The themes of this beautifully written novel may be grand—love, revolution, desertion—but it’s an intimate tale that offers no easy answers.” —Parade“The kind of book that stays with you long after you finish it. . . . Full of sharp insights about marriage and parenthood, politics and commitment.” —Pittsburgh Post-Gazette“Delicately harrowing. . . . Lahiri has a devastatingly keen ear for the tensions and misunderstandings endemic in our closest relationships.” —Bloomberg News
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About the Author
Jhumpa Lahiri is the author of four works of fiction: Interpreter of Maladies, The Namesake, Unaccustomed Earth, and The Lowland; and a work of nonfiction, In Other Words. She has received numerous awards, including the Pulitzer Prize; the PEN/Hemingway Award; the PEN/Malamud Award; the Frank O’Connor International Short Story Award; the Premio Gregor von Rezzori; the DSC Prize for South Asian Literature; a 2014 National Humanities Medal, awarded by President Barack Obama; and the Premio Internazionale Viareggio-Versilia, for In altre parole.
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Product details
Series: Vintage Contemporaries
Paperback: 432 pages
Publisher: Vintage; Reprint edition (June 17, 2014)
Language: English
ISBN-10: 0307278263
ISBN-13: 978-0307278265
Product Dimensions:
5.2 x 0.9 x 8 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
1,636 customer reviews
Amazon Best Sellers Rank:
#25,712 in Books (See Top 100 in Books)
Read this for my book club that is focusing on "cultural differences" this year. From that standpoint, this was a good selection as I learned a lot about the turmoil in India from the 1940's to 1970's when the main characters were coming of age. As other reviewers note, one brother escapes the turmoil by moving to the USA for his PhD, setting off his own conflict between his Indian culture and that of the US. The younger brother stays in India and becomes a revolutionary activist. But it's also a story about family conflicts and devotion.Of note, the author/editor chose to publish the book without quotation marks to indicate when a character was speaking. Some readers found this distracting, but it wasn't for me.I did enjoy the book and the author's style of story telling
THE LOWLAND REVIEWJhumpa Lahiri has moved to the front of my favorite author list after reading “The Lowland.†I’m fickle with my favorite authors so how long she remains there is dependent on what I read next. The fact remains that she’s a remarkable writer and has captured me with this magnificent novel.A researcher, cautious and reliable Subhash, relocates from India to America, and his younger sibling, rash and idealistic Udayan, is assassinated as a political activist in Calcutta. Subhash marries the widow, Gauri, who is carrying his brother’s child, to remove her from the brothers’ disapproving parents who are creating an oppressive environment for her. The ensuing years are chronicled as Subhash attempts to quiet the reverberations that affect all members of his family, although his efforts are mostly ineffective. His relationship with his niece, and stepdaughter, Bela, is a captivating episode of love and acceptance, but family members generally go their separate ways, each carrying their own bag of ashes.This story of two brothers with very different approaches to life is largely joyless but it does not leave an aftertaste of depression. The lives of the characters steadily progress with hints that something pleasant might happen, a hypnotic writing style that keeps reader involved. Disappointment, unfulfilled dreams, secrecy, and many deaths inhabit this lengthy novel but the ending, in just a few pages, brings the story to a tranquil closure.Lahiri touches senses and allows descriptive passages to be felt rather than read. She describes rain as both a feeling and a sound. “The roof of the cottage was as thin as a membrane, the pelting sound of the rain like an avalanche of gravel.†Recollections of seaside cottages are nostalgically gathered. “He pulled… into the driveway, bleached shells crackling under the tires as he slowed to a stop.†And sleepless nights are relived. “He longed for sleep, but it would not immerse him; that night the waters he sought for his repose were deep enough to wade in, but not to swim.â€Several generations pass and the reader is carried along by the author’s mesmerizing story. It is written crisply in brief and succinct language. There are no lengthy, soaring flights of inner thoughts with obscure meanings. Relationships are clear and believable. The dialogue is easy to follow although the author doesn’t use quotation marks, but I don’t miss them. As mentioned, the author’s talent for drawing the reader into the story and allowing action to be felt, rather than simply directing eyes over words on a page, creates a glorious experience.As I end the book I have a curious thought. If Lahiri can write a book of sadness with such skill and poignancy, how might she present one of light heartedness and wondrous experiences? Just a thought.Schuyler T WallaceAuthor of TIN LIZARD TALES
Such a beautiful book. The writing is lovely, the characters are real and complex and dealing with complicated and often sorrowful situations. Even so, we are left with hope for the future. Ms. Lahiri's preference for avoiding quotation marks around the dialogue threw me for a bit at first, but I was able to go with it pretty quickly until I didn't really notice it. I enjoyed the opportunity to learn about Indian history, and politics, and what America looks like through an immigrant's eyes. For me it also underscored that at our core, humans crave many of the same things—to be free, to be respected, to be heard, to be important to someone else. Highly recommended.
It’s hard to know where Jhumpa Lahiri is going with her novel, THE LOWLAND. It’s about two brothers who were born fifteen months apart, but were often mistaken for each other. Both are good students, but one is conservative and the other is a revolutionary.Subhash, the older one, and Udayan, were born in North Calcutta. Lahiri shows them fashioning a putter into an all-purpose club and sneaking into the exclusive golf course near where they live. Her point seems to be that India hasn’t changed much since independence. You still have the haves and the have nots. Strangely she never uses the word “Untouchable.†Not that the boys are poor; their parents are sort of upper middle class, just not rich enough to belong to the club.Matters come to a head when the Naxalite (communist) movement entices Udayan, and he is introduced to Gauri, a friend’s sister, whom he marries in defiance of his parents. In the India of the time, the late sixties and early seventies, parents chose their children’s spouses. Subhash would never have done that, but he does decide to attend a college in Rhode Island to study some sort of oceanography, where he picks up some American habits.Ultimately Udayan pays with his life and Subhash goes home to console his parents. They act like he's not there. He disapproves of the way they treat Gauri, rather like a servant girl, and he decides to marry her and take her back to America with him. This is really where the story starts. Gauri is pregnant with Udayan’s child. She’s also been studying philosophy and Subhash does everything in his power to help her achieve her goals in that respect, despite the child. Remarkably the baby seems drawn more to her “father†than her birth mother.I had a bit of a problem with Gauri’s behavior. She’s inappreciative; she can’t form a normal mother/daughter bond with her own child. I know we can’t help how we feel, but one would think being saved from life as a servant girl would have more of a psychological impact, whether sexual or only platonic. But apparently, as an author, Lahiri needs this to happen. Despite this, her objective, journalistic approach doesn’t provide much of a tone. And what is she saying about Udayan? Is he responsible for the unhappiness most of the characters go through because he wanted to help poor people? There’s no denying matters would have been quite different if Udayan had lived. Or is she saying that it doesn’t matter where the traumatic incident happened, that we’re all influenced by our families, and that they set the course of our lives?
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