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Out of Darkness, by Ashley Hope Pérez
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From School Library Journal
Gr 9 Up—The tale's layered plot begins with a prologue set hours after an actual deadly U.S. school disaster in New London, TX in March 1937. Readers are plunged into the grief and horror of the moment long enough to meet important protagonists and wonder at the event before being transported back to September 1936. From this point, the book focuses primarily on Naomi, a 15-year-old of Mexican heritage, and her younger biracial twin half-siblings. Recent arrivals from San Antonio, the children are all living with the twins' white father, and Naomi is forced to navigate the racially divided oil-mining town, learn to run a household, and to face her increasing interest in an African American youth. This third person story, recounted in multiple perspectives, slowly discloses the origins of the teen's apprehension for the recent transition. The insertion of black-and-white photos and stark black pages interrupt the narrative much like the metaphoric explosions in the lives of the diverse protagonists. Additionally, an increased use of white space leading to the book's climax seems to slow, and almost stop time. This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory. The author's note and acknowledgements pages give more background on the disaster. VERDICT Set against the backdrop of an actual historical event, Pérez's young adult novel gives voice to many long-omitted facets of U.S. history.—Ruth Quiroa, National Louis University, IL
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Review
"A Mexican girl and a black boy begin an ill-fated love in the months leading up to a catastrophic 1937 school explosion in East Texas. The powerful story opens with the legendary school explosion in New London and then rewinds to September 1936. Naomi has begrudgingly left behind her abuelitos in San Antonio for a new life with her younger half siblings, twins, and their long-absent white father, Henry. Now a born-again Christian, Henry struggles to atone for his sins. The siblings struggle to fit into the segregated oil town, where store signs boast 'No Negroes, Mexicans, or dogs.' The precocious twins read better than half the senior class, and dark-skinned Naomi is guilty of not only being Mexican, but also of being 'prettier than any girl in school.' Their one friend is Wash, a brilliant African-American senior from the black part of town. Pérez deftly weaves multiple perspectives―including Henry and 'the Gang,' the collective voice of the racist students―into her unflinchingly intense narrative, but the story ultimately belongs to Naomi and Wash. Their beautifully detailed love story blossoms in the relative seclusion of the woods, where even stepfathers can't keep them apart. But as heartbreaking events unfold, the star-crossed lovers desperately hope that any light can penetrate the black smoke cloud of darkness spreading around them. A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews (Journal)"The novels that burn into our minds as young adults often involve horror of some kind. A mere mention of All Quiet on the Western Front or I Am the Cheese, and I'm right back to brooding again in the ocean-deep emotions of my adolescence. What is that urge, the desire to soak in anguish and injustice as we come of age? Whatever it is, Ashley Hope Pérez's new novel, Out of Darkness, fills the need. Her layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine. I actually had to close the book at one point to seek respite with Facebook. And puppies. When I dove back in a few days later, it was hard not to marvel at the book's potency. Pérez, who has spent much of her career teaching, sets her story against the 1937 New London school explosion, the worst school disaster in American history, which killed 294 people. But the blast is only one of this book's horrors, and not the one that hurts the most. Her story is about race―about gradients and forbidden crossings. Our guide is Naomi, who starts out seeming no more than 13 but who could be as old as 18 (one of the book's distractions is its loosey-goosey approach to age). She's defined as Mexican in the Texas of her era, and though she is bilingual and attractive, she is darker-skinned than her two younger half siblings, Beto and Cari, who have a white father named Henry who has just called them all to New London. Their mother, Estella, has died. Henry has convinced Naomi's grandparents that he can give all three children a better life in the scrum of an oil boom, with a new school where students receive band instruments, sports uniforms and new books. Beto and Cari, who are twins, thrive. They can pass as white. Naomi struggles. Though allowed to attend the school, she is just another 'dirty Mexican,' rebuffed by whites and turned into a housekeeper by Henry. There is only one person who keeps Naomi from despair: Wash, a black boy who fishes at a bend in the river that the twins adore. Cari, confident and mischievous, and Beto, more contemplative, take to him first. We are meant to believe the twins are too young to notice the racial dynamics around them, though they are old enough to read―a proposition that at times stretches credulity. Wash, while drawn with charm and verve, also seems a little too ideal; one too many of his apparent flaws turn out to be a virtue. But what works are the relationships between Wash and Naomi and Wash and the twins. Out of Darkness nurtures their connections with approachable prose, letting the characters glide between childhood and all that follows. Naomi and Wash find a private place to work out their emotions and urges. All of which makes the final third of the book so hard to bear. Naomi and Wash are happy alone, for a spell. But Wash is a charismatic son of strict strivers―his parents have made no secret of their expectation that he go to college―and he cannot fully ignore the racism around him. One of the most ominous scenes occurs when Wash and his father visit New London's white school superintendent with a plan to save money for their struggling school. While Wash speaks up with measured boldness, his father, an otherwise proud man, glares at his son and turns submissive. 'What my son means to say is that we're keen on improving the level of education at New London Colored School,' he tells the superintendent. 'Sure want to be a credit to the county.' Given the current experience of race in America, in which black Americans continue to be killed after questioning white authorities or fleeing, the exchange is an acute reminder that race has always been a function of power, as recent books by Ta-Nehisi Coates and others have driven home. Indeed, escaping from the forces that have shaped the United States for centuries proves impossible for Naomi, for Wash, for the twins and for Henry. The end of the book careers from one threat to another, but the conclusion is never in doubt: New London blows up, shudders and collapses. A tragedy, real and racial, swallows us whole, and lingers."―The New York Times Book Review (Newspaper)"The tale's layered plot begins with a prologue set hours after an actual deadly U.S. school disaster in New London, TX in March 1937. Readers are plunged into the grief and horror of the moment long enough to meet important protagonists and wonder at the event before being transported back to September 1936. From this point, the book focuses primarily on Naomi, a 15-year-old of Mexican heritage, and her younger biracial twin half-siblings. Recent arrivals from San Antonio, the children are all living with the twins' white father, and Naomi is forced to navigate the racially divided oil-mining town, learn to run a household, and to face her increasing interest in an African American youth. This third person story, recounted in multiple perspectives, slowly discloses the origins of the teen's apprehension for the recent transition. The insertion of black-and-white photos and stark black pages interrupt the narrative much like the metaphoric explosions in the lives of the diverse protagonists. Additionally, an increased use of white space leading to the book's climax seems to slow, and almost stop time. This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory. The author's note and acknowledgements pages give more background on the disaster. VERDICT: Set against the backdrop of an actual historical event, Pérez's young adult novel gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal (Journal)"The beauty of Perez's prose and her surefooted navigation through the dangerous landscape of the East Texas oil field in the late 1930s redeem the fact that anyone who dares read this agonizing star-crossed love story will end up in about six billion numb and tiny pieces. Absolutely stunning." ―Elizabeth Wein, author of Code Name Verity and Michael L. Printz Award Honoree (Other Print)"Pérez's latest―following What Can't Wait (2011)―is a powerful work of historical fiction set in New London, Texas, that revolves around events leading up to the horrific 1937 school explosion that killed close to 300 people. This gripping story centers on high-school senior Naomi, a Mexican American girl who recently arrived from San Antonio with her half siblings, twins Beto and Cari, and their father, oilfield worker Henry. Naomi's struggle to learn how to take care of the household chores is complicated by her dark past with Henry and the overt racism she faces in the segregated town. She reluctantly befriends and then falls in love with an African American boy, Wash, who is both brilliant and kind to her younger brother and sister. Pérez's skillful use of multiple perspectives creates a full and well-rounded sense of place and story. Elegant prose and gently escalating action will leave readers gasping for breath at the tragic climax and moving conclusion."―Booklist (Journal)
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Product details
Hardcover: 408 pages
Publisher: Carolrhoda Lab ® (September 1, 2015)
Language: English
ISBN-10: 1467742023
ISBN-13: 978-1467742023
Product Dimensions:
6.3 x 1.6 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
115 customer reviews
Amazon Best Sellers Rank:
#85,287 in Books (See Top 100 in Books)
This author is one of a kind. I have enjoyed all three of her books and this one was no exception. The fact that I live in East Texas makes the setting personal. My family has similar stories of people just as bad and just as good as these characters. As always, I was riveted and never expected it to end like it did. Mrs. Perez knows how to make the characters come to life and knows how to keep you invested in the story. She always shocks and surprises you. She deserves the award she won for this book and deserves more recognition than she is getting.
This was a raw and graphic novel, filled with as much abuse and hatred as there was love and hope. It was beautifully written, with lyrical descritpions, and the characters were fleshed out and realistic. There was sexual content, both consensual and forced, though not described in gratuitous detail. There was also an abundance of racial slurs and violence, again central to the story. Overall, very well-written and heartbreakingly realistic. I would not recommend this to younger teens.
I'm still raw from reading this book. A young Mexican girl who lost her mother due to childbirth is sent with her brother and sister (twins) from her grandparents' home to East Texas to live with her stepfather (the Twins' father). He is not a great guy to Naomi, but the twins like him. The siblings all meet Wash, an African American who is awesome and caring, and they all make a strange, happy family. But this is the 1930's, and the relationship is not accepted. At all. And then bad happens.The story is set around the New London elementary school explosion, which I knew nothing about. But apparently it is the deadliest school disaster in America. And it was gruesome. This is not a light read, and there are some very adult situations, but it is a book that exposes more of the country's racial cruelty to anyone who is not white. This book definitely goes in the We Need Diverse Books shelf.
An amazing book. Stories and characters and timelines weaved together so perfectly that I couldn't put it down and finished the whole thing in a few hours, needing to know so badly how it ended. I recommend this book to everyone now. It left me in tears at the end but should be a required read for anyone who wants to understand more about racism in the south and also loves fully developed characters that make you miss them at the end of the book. So wonderful.
This story is absolutely stunning. The prologue sets you up with a sense of dread that pervades the novel. However, the incredible tenderness of the protagonists also gives you hope that somehow some goodness can be salvaged. The tragedy of this story is of Shakespearean proportion. Honestly. There is potent violence and racism depicted here, along with sexuality, but an extraordinary read for mature teen readers and adults.
An utterly beautiful, haunting book. Viscerally real characters and a rich, detailed setting . The story is an unflinching look at a tragedy wrought by racism and misogyny, and yet it still shows how love can provide light and meaning in the very darkest of times. This is one that will stay with you long after you've read the last page.
This was brutal in so many ways. Well done, but definitely not an easy book to read or recover from.The New London school explosion is a key event in the book, but that's not really what it's about.I liked the structure of shifting among the different characters in short sections. Sometimes the pacing was a little odd, but it worked overall.
I figured I'd be settling in with this thick book for at least a week, but I blazed through it in three days. Perez keeps the story moving with short chapters told in alternating points of view and mounting tension. OUT OF DARKNESS is a beautiful novel about ugly things - rascism, sexual abuse, and the aftermath of a horrible explosion, a real life historical event which I'd known nothing about. It's also hopeful and redemptive.
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