Download PDF Zondervan 2019 Church and Nonprofit Tax and Financial Guide: For 2018 Tax Returns, by Dan Busby

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Zondervan 2019 Church and Nonprofit Tax and Financial Guide: For 2018 Tax Returns, by Dan Busby

Download PDF Zondervan 2019 Church and Nonprofit Tax and Financial Guide: For 2018 Tax Returns, by Dan Busby

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About the Author

Dan Busby has a Master’s degree in business from Emporia State University and he has worked as controller of a university medical center, partner-founder of a CPA firm, and chief financial officer for a religious denomination. He currently serves as the president with the Evangelical Council for Financial Accountability (ECFA), Winchester, Virginia, and he is coauthor of The Christian's Guide to Worry-Free Money Management. He has been an author of the Zondervan tax guides for 28 years has authored or coauthored many other books, including TRUST, Lessons From the Nonprofit Boardroom, and Lessons From the Church Boardroom.  

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Product details

Paperback: 224 pages

Publisher: Zondervan (January 22, 2019)

Language: English

ISBN-10: 0310588766

ISBN-13: 978-0310588764

Product Dimensions:

7.4 x 0.6 x 9.2 inches

Shipping Weight: 10.7 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#41,814 in Books (See Top 100 in Books)

Every church needs to read this guide to stay current on it's financial activities.

Good book

If you serve as a board member, staff member, or volunteer of a nonprofit or church, you’ll appreciate this very helpful annual update.BIG MISTAKES! Read page 213 first: “10 Biggest Tax and Financial Mistakes Made by Churches and Nonprofits.” Note #7: “Inadequate controls over disbursements, leaving the ministry at risk for embezzlement.” Yikes.That’s the headline, but fortunately, the solution is well-documented in Chapter 6, with 30 pages of commentary, templates, and helpful call-outs/icons titled “Idea,” “Remember,” “Caution,” and “Key Issue.” A one-page “Integrity Points” summary is included in each chapter. Example:In Chapter 1: “Faithful Administration,” the five “Integrity Points” note that “setting the biblical tone for financial accountability” starts at the top. Another bullet point: why “a majority of independent board members (board members other than staff members or relatives of staff or board members) is vital to ensure the board’s action is done without partiality, undue influence, or conflict of interest.”ACCOUNTABILITY DEFINED. Another must-read section begins on page one and details the dramatic difference between “self-accountability” and “verifiable accountability.” The authors cite 1 Corinthians 4:2, “Now it is required that those who have been given a trust must prove faithful.” They add, “Proving faithful requires verifiable accountability.” The next 200 pages describe how and why nonprofits and churches can meet the high standards of accountability—and sleep well at night!POP QUIZ! List five Bible references that address the “Biblical Basis for Accountability.” Time! Put your pencil down and read pages two to four—the list of 40 Bible verses, including 2 Corinthians 8:21 (NLT), “We are careful to be honorable before the Lord, but we also want everyone else to know we are honorable.”Co-authors Dan Busby, Vonna Laue, Michael Martin, and John Van Drunen also write, “When Christ-centered ministries do not demonstrate verifiable accountability, they risk doing what is right in their own eyes, as the Israelites did (Judges 17:6).” So…would the public, donors, and the media agree that your organization is demonstrating verifiable accountability—or is it more like this paraphrase from “The Message?” “People did whatever they felt like doing.”

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Free Ebook Cat on a Hot Tin Roof

Free Ebook Cat on a Hot Tin Roof

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Cat on a Hot Tin Roof

Free Ebook Cat on a Hot Tin Roof

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Review

“Tennessee Williams never wrote a more explosive play than Cat on a Hot Tin Roof.” - Howard Kissel, The Daily News“The introductions, by playwrights as illustrious as Williams himself, are the gem of these new editions.” - Ken Furtado, Echo Magazine

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About the Author

Tennessee Williams (1911-1983) is the acclaimed author of many books of letters, short stories, poems, essays, and a large collection of plays, including The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Orpheus Descending, The Night of the Iguana, and The Rose Tattoo.

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Product details

Series: New Directions Paperbook

Paperback: 208 pages

Publisher: New Directions; 0002-Revised edition (September 17, 2004)

Language: English

ISBN-10: 9780811216012

ISBN-13: 978-0811216012

ASIN: 0811216012

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

467 customer reviews

Amazon Best Sellers Rank:

#28,760 in Books (See Top 100 in Books)

Tennessee Williams frequently re-wrote his plays, and he made significant changes to CAT ON A HOT TIN ROOF both before and after the Broadway debut, so there are at least three versions of the play. All three versions are set in the 1950s, in a large bed-sitting room in a Mississippi delta plantation house; all three versions require a cast of seventeen, including four children and four African-American servants; all three have a run time of about three hours including intermission.Williams originally wrote CAT with less sympathetic Maggie, and with Big Daddy appearing only in Act Two, and with a fairly dark conclusion. Director Elia Kazan agreed to direct the play for Broadway, but strongly urged Williams make several changes. These included making Maggie more sympathetic, extending the role of Big Daddy into Act Three. Williams did not like all of Kazan’s suggestions, but he followed them, and the result was the 1955 Broadway play, which won the Pulitzer Prize for Drama and the New York Drama Circle Award. It is the version most commonly seen in revival and the one on which the 1958 film starring Paul Newman and Elizabeth Taylor was based. In 1974 Williams re-wrote the play, restoring much of what Kazan had asked him to remove. So far as I know, this particular variation is only available through Dramatist Play Service, which publishes an acting script and which holds the licensing rights to this (and all other variations) of the play.When published for the general reading public, as in this edition, CAT ON A HOT TIN ROOF contains two versions of Act Three, the first as Williams originally wrote it, the second as Kazan asked, returning Big Daddy to the stage and including a somewhat softer conclusion. This edition also includes an introduction by Edward Albee, an essay by Brian Parker, and notes by Williams.The play is famous. Big Daddy Pollock owns a large plantation in the Mississippi delta, where he lives with his wife, Big Mama. His oldest son Gooper, his very pregnant wife Mae, and their five children are frequent visitors; his younger son Brick and his very sexy wife Maggie have been permanent houseguests for some time. As the play progresses, we discover that Brick and Maggie have a deeply strained relationship and that Gooper and Mae plan to use their discord to take control of the estate when Big Daddy, who has terminal cancer, dies. Although the different third acts vary significantly, both hinge on Maggie’s determination to blackmail Brick into resuming physical intimacy in order to have a child, an event that will motivate Big Daddy to leave them the estate.CAT ON A HOT TIN ROOF is noted for the fact that the central characters—Brick and Maggie, Gooper and Mae, and Big Daddy and Big Mama—are extremely combative, not only with the other characters but with their own partners. Some people regard the play as a three-hour-long argument, and the extremes presented in the play would not be topped until Edward Albee’s WHO’S AFRAID OF VIRGINIA WOOLF in 1962. The play is famous for the number of motifs and themes Williams presents, most particularly those of greed and deceit. At the time it debuted on Broadway, the play’s statements about homosexuality were considered scandalous, and they were so hot that the 1958 film version does completely changes the story line in order to avoid mention of it. The language of the play was also considered extreme, containing numerous profanities, vulgarities, and racial slurs.CAT is a bitter but fascinating play with characters who are willing to go to almost any extreme to win what they want—and like A STREETCAR NAMED DESIRE’s Blanche, Brick is a character who elects to live inside a fantasy that protects him from harsh realities, some of them of his own making. Uncomfortable, jittery, and explosive, it is a classic of 20th Century dramatic literature. Strongly recommended.GFT, Amazon Reviewer

There’s a strong drive and passion in many of the characters in A Streetcar Named Desire. A definite rawness in emotion and complexity is within many of the scenes and situations.I had read A Streetcar Named Desire once before, but never really caught on at how so much is working underneath the surface of the dialogue. In many estimations, Blanche is a character deeply rooted in pathos and tragedy. Her vision of what the world should be, as opposed to what it truly is, is at the center of her unhinging. Arriving to her sister’s apartment in New Orleans, she has taken a leave of absence from her teaching, and there are more undercurrent issues that have taken hold of her, most notably losing Belle Reve, their childhood home. At her opposite, Stanley, Stella’s husband, represents the brute, harsh, realities of the world.I think that, in many respects, Williams creates an intensity that builds as the play moves forward until the dramatic final scene. There is a power in Stanley and Blanche’s confrontations, especially in the final scenes as we learn more and more about Blanche’s past. These moments are written so eloquently, so human, clearly by someone who has experienced, witnessed, and reflected on the impact of human sufferings and failings. In short, clearly Williams was a man who could project real human situations into dialogue in such a clear, convincing way.A Streetcar Named Desire is a very powerful and thought-provoking play, with characters who breathe strong emotion throughout, making the scenes really come to life. It is no wonder that this epic play was made into a fine classic 1951 film with Marlon Brando as Stanley and Vivien Leigh as Blanche.

…may throw the first stone, to paraphrase a Biblical injunction. I still remember the “racy” movie posters, featuring Elizabeth Taylor, when this play was first issued as a movie in the 1950’s. I neither saw the movie, nor watched a production of the play. Thanks to a recent reading of The Glass Menagerie (New Directions Books) I decided that I needed to read more of this quintessential American (and Southern) playwright. “Cat…” was first produced in 1955, and would win the Pulitzer Prize.The play is set in the largest mansion in the very heart of the rich farmland of the Mississippi delta, near Clarksville. There are three acts, but the time period is continuous. ‘Big Daddy’ is now 65, and owner of the plantation. He is still “rough-hewed,” having once been the overseer of the plantation that was owned by two “sisters” (gays), Jack Straw and Peter Ochello. Homosexuality, a “racy” topic in the 1950’s, is a theme throughout the play. ‘Big Daddy’s’ wife is, sure enough, ‘Big Mama.’ They have two sons, Brick and Gooper, who are each married, respectively, to Maggie and Mae. Each of the women have societal pretenses, one raised in Memphis, and the other Nashville. Gooper is the oldest, and with Mae has five “no-neck” children, with a sixth on the way. Brick and Mae are childless. He is also a serious alcoholic, morose over his lost college athletic “glory days,” and his relationship with his buddy, Skipper, now dead. The reason for Brick and Maggie’s childlessness – that he will not sleep with her – and his probable homosexual relationship with Skipper is developed as the play progresses. ‘Big Mama’ frankly criticizes Maggie for failing to perform her “bed duties,” and keep her son happy. They all live in the mansion house, and are jockeying for the inheritance. It is a “heady” mix.Mendacity, greed, sexual longing are all themes woven throughout the play. About half this Kindle edition contains various essays of commentary, the most meaningful one from Tennessee Williams himself. The influence and relationship of Williams with the director Elia Kazan is described. I even learned that this play was the favorite of Fidel Castro, who greeted Williams on their first meeting with the exclamation: “Oh, that Cat!” The play’s evolution and various versions are discussed (perhaps more than most people need to know), and an entirely different third act is also included.Reading, or watching a performance of Williams’ plays is an important part of the “curriculum” of any student of American drama – whatever the age of that student. 5-stars for “The Cat.”

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